Master Shots Vol 1, 2nd edition: 100 Advanced Camera Techniques to Get An Expensive Look on your Low Budget Movie

I haven't sat down and read this book straight through yet, but that isn't necessarily the intent either. This is a reference book and actually a quite ingenious tool. It's like training wheels for a new director or DP - when breaking down a script for a story board or shot list, you can simply skim through the book for the type of scene you are doing and find the various shot setups with full descriptions of how they are used and what they do to convey the different emotions you would be going for in the scene. There are pictures everywhere that clearly illustrate the setups, so it is easy to navigate the book and quickly understand the technique. The author recommends buying several copies for crew members and actually using it on set for reference to the look you are building. I don't know if that would work on a lot of sets, but indie projects and student films with inexperienced crews could greatly benefit from that kind of reference point. I'm definitely going to use it liberally in storyboarding an upcoming short film. The bottom line is, I can't think of any reason not to have this book.

For the beginner or occasional filmmaker, this is a great book. Essentially it is an encyclopedia of master shots, a hundred of them. Most are illustrated with stills from various films and with 3D models created in Poser 7. The author provides details about how the shot is set up, the feeling the shot is intended to convey and pertinent information. Kenworthy deliberately stays away from things like lenses, equipment, lighting and so on. His point is that the shots can be accomplished with any kind of camera. It is the point of view that matters and the action that establishes the meaning of the shot and advances the story. Master Shots is definitely an aid to the beginning filmmaker or those who shoot only occasionally and could you a bit of assistance in visualizing how to tell their story. For a very reasonable cost, you have a hundred classic master shots diagrammed and explained for you. Good deal. Jerry

I've been a professional photographer for many years and was interested in translating "still" shots into film/digital live motion. I understand the lighting fundamentals and scene set-ups as well as many DOF applications and post photo retouches. Although this book doesn't go into the technical lighting and DOP / shutter speed details of shooting film/digital, it makes up for that by demonstrating camera set-up and movement and how these kinds of shots set certain moods or lead ins for establishing scenes. Considering this, I must say that those that have an understanding of lighting and focal length, shutter speed, etc.(fundamental photo and video theory), will benefit the most from this book. If you're a novice, I recommend carefully looking at the illustrative photos and thinking more about how the lighting and DOP, etc. contribute to "selling" the shot and also pick-up a book on lighting and scene set-up fundamentals. In general, great book that dissects the many camera technique and movements used in MANY if not all movies that we take for granted. Also has great real world examples to convey that technique so you can view it for yourself if you're ambitious enough.

This was a gift for a friend of mine that had been in the film industry for many years, but was starting to get more experience behind the camera. I also went through the book, and noticed plenty of tips and techniques for anyone relatively new to directing or camera work. But there also seems to be a bit that would still be helpful to experienced directors, as well. Did it help my friend? He went from helping with small, shoestring-budget flicks, to directing movies with a decent budget. So I would say that the book definitely served its purpose.

I got this book a couple days ago together with the Volume 2, and I'm only 20 pages into in so far but it's a very easy read with illustrations for each topic/shot it discusses.. The book gives you little smart tricks and variations you can do with your shots, be it changing an angle, using a certain type of lens, moving the camera or tracking the subject a certain way, or any of the combination to create a certain emotion, discussing the logic behind it. Not a comprehensive guide to film directing, but a good creative visual reference book I'm glad I purchased. I am also thankful to Amazon for quickly shipping a free replacement for my original shipment which never arrived because of the shipping company, and the replacement arrived very fast. Great doing business with them.

Very good visual encyclopedia of shots. Hard reccomend.

This book is amazing. I mostly shoot videos for YouTube, which means I have a budget of $0 on most things. However, I wanted a higher quality look on the shots. An Assistant Director on a film that I was working on suggested this book to me, and it did not let me down. I'm so excited to shoot more scenes like those demo'd in the book. For someone with a degree in filming, this may be old news, but for someone like me that is starting out; I feel like it is an awesome crash course to getting the shots you want.

This is one of a series of books that suggest great compositions for video scenes. The information is generally very good, but sometimes the illustrations are poor. Regardless, I found the explanations for how the shot is motivated to be very helpful. My only complaints are (1) the wide format of the book and large size is very cumbersome, and (2) I wish all three books were combined into one. I suppose the 2nd and 3rd volumes were introduced after the publisher saw market interest in the first. However, the size and awkward format of these three books is unwieldy to carry around to video shoots. In spite of my nit picking, I would recommend these books to directors and camera operators, as there are many good examples of shots to consider.

Packed with tons of information. No bs straight to point. A must have for everyone studying filmmaking

I should have read the reviews. I bought all three unfortunately, and just got the second edition (not looking forward to the others). It’s printed on nasty cheap paper that feels terrible, and the digitally remastered images are very hard to read- dim, no contrast, grey-scale. I don’t want to spend time with this book. I’m looking to send them back (if the others are the same) this is just garbage back-yard publishing.

Ich habe mir das Buch weniger als Lese-material, sondern mehr als Nachschlagewerk gekauft. Der Aufbau, die grafischen Darstellungen und Erklärungen hierzu machen es ideal für diesen Zweck. Somit kann hier beim entwickeln eine Scripts schon Rücksicht auf die Ideen und Wege genommen werden, wie die großen Cinematographen ihre Story vorantreiben und darstellen. Ein Ideales Buch.

¿Cómo se graban determinadas escenas y donde se ponen las cámaras? Pues aquí nos muestra lo que intuimos con sencillos y claros ejemplos.

Mon seul regret est qu'il n'y ait pas de pages en couleur ni même de lien pour accéder aux images en couleur (ou même au vidéos).